Okay, so here's the deal. We all like to have our own sound, but it's pretty BA when you can make something sound like JF does, so if you've got a magic recipe for making something sound good, let us know!
Be sure to include the equipment you used, the settings on the equipment, the song and album!
(We are not looking for the official equipment used, just an easy way to replicate it, but if you have the real deal and you got the settings just right, be sure to tell us where you put all the knobs!)
Two different formats are used below to show the position of dials:
12:00 format will show the position of the knobs as if on a clock and will always have :00 or :30 at the end
1-10 format will show the position of the knobs as if out of 10, 1 being the lowest and 10 being the highest
If more than one effect is chained in a row, they are listed in the order they are chained.
Click the titles to jump to the original post (usually there are more details there).
Iva - if you could give me a hand keeping this up-to-date, I'd really appreciate it. I can't guarantee I'll check often enough to keep it updated.
RHCP Clean:
Amp modelling Fender Twin (clean):
Treble - 2:00
Mid - 1:00
Bass - 2:30
Reverb - 11:30
Frusciante Live:
English Muff'n:
Volume - 5
Gain - 3.5 (or at edge of breakup)
Treble - 5
Mid - 5
Bass - 6
Amp (clean):
Volume - variable
Preamp - 7
Treble - 4
Mid - 5
Bass - 7
Reverb - 3
Frusciante Empyrean:
DS2: Mode II
Distortion - max
Tone - 2:00
Level - 3:00
Big Muff Pi:
Sustain - 3:00
Tone - 2:00
Level - 3:00
Wilson Ten Spot II (maxed)
English Muff'n:
Gain - 11:00
Treble - 8:00
Mid - 4:00
Bass - 12:00
Jubilee Black Tolex 2558:
Input Gain - (max)
Output Master - 6 or greater
Mid - 8
Bass - 10
Presence - 4
Amp (british hi-gain overdriven):
Gain - 8
Treble - 3.5
Bass - 10
Frusciante/RHCP Live Dirty:
Telecaster on bridge pickup
WH-10 V2 (maxed, bypassed)
DS-2: Mode I
Level - 5:00
Tone - 1:00
Distortion - 3:00
Amp (clean):
Volume- 5
Treble - 3
Mids - 2
Bass - 7
Frusciante/RHCP Live Wah Solo:
WH-10 V2 maxed
DS-2: Mode I
Leve l- 5:00
Tone - 1:00
Distortion- 3:00
Danelectro Cool Cat Chorus: (for BSSM album)
Speed - 8:00
Chill - 11:00 to 2:00 sounds good
Amp (drive):
Volume - 5
Gain - 5
Treble - 3
Mids - 2
Bass - 7
Frusciante/RHCP Live Solo:
DS-2: Mode I
Level - 5:00
Tone - 1:00
Distortion - 3:00
NYC Big Muff Pi:
Volume - 12:00
Tone - 1:00
Sustain - 12:00
Amp (clean):
Volume - 5
Treble - 3
Mids - 2
Bass - 7
Under the Bridge:
Amp (British clean):
Volume - 6.25
Treble - 8.25
Mid - 3
Bass - 5.5
Stratocaster (neck):
Volume - 8 (down to 7 after the first measure with vocals starts)
Tone - 9.5
Blood Sugar Sex Magik (album)
Pod:
Amp Model - Brit classic:
Cab Model - Vintage 30's
Drive - 2:00
Treble: - Max
Middle - 3:00
Bass - 3:00
Reverb - 1:00
Boss DS-2: Turbo Mode
Level - 1:30
Tone - Max
Distortion - Max
Ibanez WH10v2:
Depth: Max
DOD chorus
Speed - 9:00
Delay time - 3:00
Depth - 4:00
Guitar:
Volume - 6:00
Tone - Max
0
The Ultimate DIY JF Song Amp Settings/Equipment ThreadGive us the setup you got the right sound with!
Started by anachronism, Jan 20 2010 04:23 AM
32 replies to this topic
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Posted 20 January 2010 - 04:23 AM
"Take that fucking sign down." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
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Posted 20 January 2010 - 10:32 AM
I like the clean sound from his RHCP work. So I took the "TWN"-channel of my Peavey Vypyr 15w, which is supposed to simulate the Fender Twin amp. I added a little reverb (11:30). Lows are 2:30, mids 1, highs 2. As I prefer to play my Fender Lite Ash Strat most of the time (I own a Michael Kelly Patriot Shadow too, a Les Paul copy which I love in a different way but not less than my strat) that's how I get a sound "close" to JFs. Well, I think it's the closest you can get with this amplifier.
Some day in the next few years I want to get my hands on a '62 vintage strat. I played it in a store when an employee gave it to me after I said I'd like to play an American Strat. I don't want it because John plays an original strat from 1962, I just want it cause it felt so perfect.
Some day in the next few years I want to get my hands on a '62 vintage strat. I played it in a store when an employee gave it to me after I said I'd like to play an American Strat. I don't want it because John plays an original strat from 1962, I just want it cause it felt so perfect.
stay healthy!
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Posted 20 January 2010 - 11:30 AM
My JF 'live' tone: (numbers are 0 - 10 10 being the highest setting the knob does)
Strat, neck pickup, all knobs on 10.
into english muff'n pedal with the volume at 5, and the gain around 3-4 (at the edge of breakup) bass at 6, mids at 5, and highs at 5
Into my Marshall JTM30 clean channel, preamp on 7, master volume as gig requires, bass on 7, mids on 5, highs on 4, reverb on 3
Strat, neck pickup, all knobs on 10.
into english muff'n pedal with the volume at 5, and the gain around 3-4 (at the edge of breakup) bass at 6, mids at 5, and highs at 5
Into my Marshall JTM30 clean channel, preamp on 7, master volume as gig requires, bass on 7, mids on 5, highs on 4, reverb on 3
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Posted 20 January 2010 - 12:56 PM
it may be weird but the best sound i've ever had is from an old 10(or maybe 15) watts squier that somehow gives me this incredible dirty and mean fuzz i set the bass at 10 an the treble at around 7/8 (it doesn't even have middles)
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Posted 20 January 2010 - 05:22 PM
i believe in crohno. as far as tone in concerned, my best actually came through a fender frontman 15g.
Custom telecaster on '59 bridge pickup (neck is a p90)
into wh-10 on 100% guitar effect
into boss ds-2 on mode 1 : level at 5 oclock, tone at 1 oclock, distortion at 3 oclock
into big muf pi (off)
danelectro cool cat chorus (off)
with the wah off my clean signal is obviously interrupted, but the ds-2 picks the signal back up and gives it tons of bite. its transformed into a killer dirty sound...think "Easily," "Minor Thing," or a live version of "Scar Tissue"
if i engage the big muff i can get that solo tone that we all love...yesterday i cranked out a pretty good "strip my mind" solo
with the wh-10, ds-2, and cool cat chorus on, and the amp on its distortion channel, i could achieve the highly sought after (at least in my book) "dani california" solo tone. with the right chorus settings you can do crazy things with these three pedals. even mars volta stuff is do-able.
the wah ds-2 and big muff is all a bit much at the same time for the little solid state amp, so i didnt mess around much there
the real star is this stupid little amp though. i can't get these kinds of tones on my tube amps unless i crank them to high heaven. and after i do that i cant even stand in the same room. this $60 fender amp blasted nearly the same tone with a quarter of the volume. the settings on the amp are pretty strange... Volume anywhere between 3-6...it doesnt seem to matter, its not tube. Distortion for the disto channel is set around 6. Bass is set to 7, Mids to 2, Highs to 3 (My bass player had it set this way). I know it sounds odd and/or impossible, but trust me, this little thing kicks ass.
Custom telecaster on '59 bridge pickup (neck is a p90)
into wh-10 on 100% guitar effect
into boss ds-2 on mode 1 : level at 5 oclock, tone at 1 oclock, distortion at 3 oclock
into big muf pi (off)
danelectro cool cat chorus (off)
with the wah off my clean signal is obviously interrupted, but the ds-2 picks the signal back up and gives it tons of bite. its transformed into a killer dirty sound...think "Easily," "Minor Thing," or a live version of "Scar Tissue"
if i engage the big muff i can get that solo tone that we all love...yesterday i cranked out a pretty good "strip my mind" solo
with the wh-10, ds-2, and cool cat chorus on, and the amp on its distortion channel, i could achieve the highly sought after (at least in my book) "dani california" solo tone. with the right chorus settings you can do crazy things with these three pedals. even mars volta stuff is do-able.
the wah ds-2 and big muff is all a bit much at the same time for the little solid state amp, so i didnt mess around much there
the real star is this stupid little amp though. i can't get these kinds of tones on my tube amps unless i crank them to high heaven. and after i do that i cant even stand in the same room. this $60 fender amp blasted nearly the same tone with a quarter of the volume. the settings on the amp are pretty strange... Volume anywhere between 3-6...it doesnt seem to matter, its not tube. Distortion for the disto channel is set around 6. Bass is set to 7, Mids to 2, Highs to 3 (My bass player had it set this way). I know it sounds odd and/or impossible, but trust me, this little thing kicks ass.
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Posted 21 January 2010 - 01:28 AM
I dont think this would help, but here is my live set up:
Tokai Goldstar Strat(Neck Pickup) --> DS-2 (II mode, Dist Full, Tone 14:00, Level 15:00) --> Big Muff (Sustain 15:00, Tone 14:00, Level 15:00)
--> Wilson Ten spot II(100%) --> English Muff'n(Gain 11:00, Treble 8:00, Mid 16:00, Bass 12:00)
--> Jubilee Black tolex 2558 (Input Gain Full, Output Master no lowe than 6, Mid 8, Bass 10, Presence 4)
This gets me a pretty dam close tone to frusciante, but i like to think of it as my own
When recording:
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
Tokai Goldstar Strat(Neck Pickup) --> DS-2 (II mode, Dist Full, Tone 14:00, Level 15:00) --> Big Muff (Sustain 15:00, Tone 14:00, Level 15:00)
--> Wilson Ten spot II(100%) --> English Muff'n(Gain 11:00, Treble 8:00, Mid 16:00, Bass 12:00)
--> Jubilee Black tolex 2558 (Input Gain Full, Output Master no lowe than 6, Mid 8, Bass 10, Presence 4)
This gets me a pretty dam close tone to frusciante, but i like to think of it as my own
When recording:
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
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Posted 21 January 2010 - 02:22 AM
a0n09, on Jan 20 2010, 07:28 PM, said:
I dont think this would help, but here is my live set up:
Tokai Goldstar Strat(Neck Pickup) --> DS-2 (II mode, Dist Full, Tone 14:00, Level 15:00) --> Big Muff (Sustain 15:00, Tone 14:00, Level 15:00)
--> Wilson Ten spot II(100%) --> English Muff'n(Gain 11:00, Treble 8:00, Mid 16:00, Bass 12:00)
--> Jubilee Black tolex 2558 (Input Gain Full, Output Master no lowe than 6, Mid 8, Bass 10, Presence 4)
This gets me a pretty dam close tone to frusciante, but i like to think of it as my own
When recording:
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
Tokai Goldstar Strat(Neck Pickup) --> DS-2 (II mode, Dist Full, Tone 14:00, Level 15:00) --> Big Muff (Sustain 15:00, Tone 14:00, Level 15:00)
--> Wilson Ten spot II(100%) --> English Muff'n(Gain 11:00, Treble 8:00, Mid 16:00, Bass 12:00)
--> Jubilee Black tolex 2558 (Input Gain Full, Output Master no lowe than 6, Mid 8, Bass 10, Presence 4)
This gets me a pretty dam close tone to frusciante, but i like to think of it as my own
When recording:
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
so by 14:00 you mean 2:00, right?
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Posted 21 January 2010 - 03:46 AM
a0n09, on Jan 20 2010, 07:28 PM, said:
When recording:
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
What amp setting is the Super Champ on?
Crohno and fenderfunk, can you try to clean your suggestions up to something I can add to the list?
"Take that fucking sign down." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
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Posted 21 January 2010 - 04:05 AM
^ Sure
Frusciante/RHCP Live Dirty:
Telecaster on bridge pickup
WH-10 V2 (maxed but off, dulls the cleans, DS-2 adds bite)
DS-2 (mode 1):
Level- 5:00
Tone- 1:00
Distortion- 3:00
Fender Frontman 15g (clean setting)
Volume- 5
Bass-7
Mids-2
Highs-3
Frusciante/RHCP Live Wah Solo
WH-10 V2 maxed
DS-2 (mode 1):
Level- 5:00
Tone- 1:00
Distortion- 3:00
Danelectro Cool Cat Chorus (optional but sounds great, especially for BSSM songs)
Speed- 8:00
Chill- 11:00 to 2:00 sounds good
Fender Frontman 15g (distortion channel)
Volume- 5
Distortion- 5
Bass-7
Mids-2
Highs-3
Frusciante/RHCP Live Solo
DS-2 (mode 1):
Level- 5:00
Tone- 1:00
Distortion- 3:00
NYC Big Muff Pi
Volume- 12:00
Tone- 1:00
Sustain- 12:00
Fender Frontman 15g (clean setting)
Volume- 5
Bass-7
Mids-2
Highs-3
all settings are designed for loudish bedroom volumes (no tube amps)
Frusciante/RHCP Live Dirty:
Telecaster on bridge pickup
WH-10 V2 (maxed but off, dulls the cleans, DS-2 adds bite)
DS-2 (mode 1):
Level- 5:00
Tone- 1:00
Distortion- 3:00
Fender Frontman 15g (clean setting)
Volume- 5
Bass-7
Mids-2
Highs-3
Frusciante/RHCP Live Wah Solo
WH-10 V2 maxed
DS-2 (mode 1):
Level- 5:00
Tone- 1:00
Distortion- 3:00
Danelectro Cool Cat Chorus (optional but sounds great, especially for BSSM songs)
Speed- 8:00
Chill- 11:00 to 2:00 sounds good
Fender Frontman 15g (distortion channel)
Volume- 5
Distortion- 5
Bass-7
Mids-2
Highs-3
Frusciante/RHCP Live Solo
DS-2 (mode 1):
Level- 5:00
Tone- 1:00
Distortion- 3:00
NYC Big Muff Pi
Volume- 12:00
Tone- 1:00
Sustain- 12:00
Fender Frontman 15g (clean setting)
Volume- 5
Bass-7
Mids-2
Highs-3
all settings are designed for loudish bedroom volumes (no tube amps)
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Posted 21 January 2010 - 01:52 PM
anachronism, on Jan 21 2010, 02:46 AM, said:
a0n09, on Jan 20 2010, 07:28 PM, said:
When recording:
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
Using a Fender Super Champ XD Bass 10 Treble 3.5
This is what it sounds like:
Youtube Music Track
Inspired by Before the Begining.
Enjoy!
What amp setting is the Super Champ on?
Crohno and fenderfunk, can you try to clean your suggestions up to something I can add to the list?
For that i used Voice 8, Gain 8, with a Ten Spot II with the volume on my guitar backed down to about 3-5.
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Posted 23 January 2010 - 01:10 AM
Under the Bridge:
Amp (Blackstar HT-5 combo) (clean):
Volume - 6.25
Treble - 8.25
Mid - 3
Bass - 5.5 (on the tick mark past halfway on an HT-5)
ISF - 10
(No reverb hooked up, I'll spec it out for a Nano Holy Grail later.)
Mexi Strat w/EJ Strat Pickups (neck):
Volume - 8 (down to 7 after the first measure with vocals starts)
Tone - 9.5
Amp (Blackstar HT-5 combo) (clean):
Volume - 6.25
Treble - 8.25
Mid - 3
Bass - 5.5 (on the tick mark past halfway on an HT-5)
ISF - 10
(No reverb hooked up, I'll spec it out for a Nano Holy Grail later.)
Mexi Strat w/EJ Strat Pickups (neck):
Volume - 8 (down to 7 after the first measure with vocals starts)
Tone - 9.5
"Take that fucking sign down." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
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Posted 01 February 2010 - 07:23 AM
Anybody have a special combo for A If you have to ask tone? :X
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Posted 02 February 2010 - 02:50 PM
Skitzo, on Feb 1 2010, 01:23 AM, said:
Anybody have a special combo for A If you have to ask tone? :X
not a whole lot to this tone. just pick a clean setting on an amp, maybe some compression, and play with a funk muting technique
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Posted 03 February 2010 - 04:51 PM
i was thinking about making a cover of that in a few days, but im guessing just a strat/tele through a lightly overdriven/distorted amp. once i figure it out exactly ill post it here
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Posted 04 February 2010 - 06:19 PM
Does anyone have here a good amp setting for the BSSM-songs on a Pod 2.0?? Because I'm struggling to get this tone. I already got a very good setting for the rhcp-songs from 1999 to 2006 but I don't know how to get the BSSM sound. Please help me!
"The most important thing you need is to have contact with the person you are inside and to be honest with yourself. If you have, you don’t need drugs." John Frusciante
Fender 60's Classic Player Strat (3 Tone SB)
Boss OD-2R
Boss DS-2
Ibanez WH10V2
DOD FX65 Stereo Chorus
Bugera V22
My site: http://chris-fanpage.npage.at
Fender 60's Classic Player Strat (3 Tone SB)
Boss OD-2R
Boss DS-2
Ibanez WH10V2
DOD FX65 Stereo Chorus
Bugera V22
My site: http://chris-fanpage.npage.at
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Posted 05 February 2010 - 01:18 AM
man.. you have everything to get that tone. strat, wh10, ds2 and pod with jcm800 and plexi simulations. where is your problem 
are you sure that you play this song correctly? maybe thats problem
are you sure that you play this song correctly? maybe thats problem
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Posted 05 February 2010 - 05:35 AM
yeah you have all the ingredients. maybe throw some chorus in there
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Posted 05 February 2010 - 09:11 AM
Well I just traded my Boss RC-20XL to a boss CS-3 Monte Allums modded compressor.. It totaly nails the compressed sound from Under the Brigde studio version atleast.. I'm at my school now, so I can't tell you all the settings
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Posted 05 February 2010 - 04:18 PM
Manitou, on Feb 5 2010, 01:18 AM, said:
man.. you have everything to get that tone. strat, wh10, ds2 and pod with jcm800 and plexi simulations. where is your problem
are you sure that you play this song correctly? maybe thats problem
are you sure that you play this song correctly? maybe thats problem
It's ok!
I found a very very good setting today by myself. I guess it's (for me) the ultimate setting for the whole BSSM Album!If want to know my setting, here it is:
Pod:
Amp Model: Brit classic
Cab Model: Vintage 30's
Drive:2 o'clock
Bass: 3 o'clock
Middle: about 3 o'clock
Treble: All the way
Reverb: 1 o'clock
Boss Ds2 I'm a bit experimenting with that pedal,if you have a setting that sounds better please tell me, my current setting is: TURBO MODE
Level 1-2 o'clock
Tone All the way
Distortion:All the way
Ibanez wh10v2:
Depth: all the way
DOD chorus
Speed:9 o' clock
Dly time: 3 o' clock
Depth: 4 o' clock
Guitar:
Vol: 6
Tone: All the way
I hope this setting helps you all as it helped me!
"The most important thing you need is to have contact with the person you are inside and to be honest with yourself. If you have, you don’t need drugs." John Frusciante
Fender 60's Classic Player Strat (3 Tone SB)
Boss OD-2R
Boss DS-2
Ibanez WH10V2
DOD FX65 Stereo Chorus
Bugera V22
My site: http://chris-fanpage.npage.at
Fender 60's Classic Player Strat (3 Tone SB)
Boss OD-2R
Boss DS-2
Ibanez WH10V2
DOD FX65 Stereo Chorus
Bugera V22
My site: http://chris-fanpage.npage.at
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