Clean boost can't fix the issue; it's the signal processing in the wah that's the issue.
Pick up a crybaby if you wannt a decent wah, or if you have the opportunity, try a WH10v2 for yourself. If you want the same kind of circuit with less tone suck a lot of people here go for a Wilson Ten Spot wah. Personally, I'm happy with my Crybaby From Hell (Dunlop Dimebag wah).
5
The ULTIMATE Ibanez WH10 thread - to end all the othersGuys, no more eBay, there's WH10 V2 for only $99!
Started by Iva, Jul 17 2009 04:08 AM
452 replies to this topic
#441
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Posted 11 April 2011 - 10:08 PM
"Take that fucking sign down." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
"Well, it was put to me by "that guy" when I was, like, four. So I went into my parents' record collection and found a rock'n'roll compilation. And when my mom asked if I wanted to move to L.A., I said, "Yeah," because I knew that was where the rock stars were. I was seven. Then when I found punk and listened to the Germs, I started seeing how I was part of this. I remember being out on the baseball field when I was 11, and I felt like such an outsider. Standing there in right field, I started making up an angry punk song in my head, and I went home and wrote, like, 20 songs in a row. I realized it didn't even matter if I knew how to play guitar yet." -John Frusciante
#442
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Posted 15 April 2011 - 05:35 AM
nevermind
"...turn around towards being born, away from dying."
#443
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Posted 01 May 2011 - 10:50 PM
i was wondering if i could, to solve the issue of tone loss when the wah is on, use one of these to make a loop which then ends up entering onther pedal using a double jack. my amp unfortuneatle does not have an effects loop
guitar to ds-2 to line selector which seprates into two cables, one with the wah pedal and one without and both joining at the lpb-1 boost
this seems just perfect btw
http://www.thomann.d..._killswitch.htm
guitar to ds-2 to line selector which seprates into two cables, one with the wah pedal and one without and both joining at the lpb-1 boost
this seems just perfect btw
http://www.thomann.d..._killswitch.htm
#444
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Posted 28 July 2011 - 01:45 AM
I'm having such a hard time deciding between a wh-10v2 or the Budda BudWah. I really like the sound of both, but to me the Budda seems to get a little more range and is somewhat warmer. Also, its a true bypass, and I don't know if the wh is, but I hear it sucks a little tone out of your chain.
#445
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Posted 28 July 2011 - 07:27 AM
haven't we agreed that the wh-10v2 does the same thing with sucking tone? get the budda budwah! sounds cool, and zen.
"...turn around towards being born, away from dying."
#446
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Posted 07 October 2011 - 11:25 AM
guys, i just noticed this whilst looking on ebay for WH10s
http://www.ebay.co.u...#ht_1563wt_1344
if you look at the second picture, does it not look like Ibanez have changed the footswitch to a hard-engaging one
if so, i'm gonna get a WH10 (i returned the first one i owned due to the terrible footswitch)
http://www.ebay.co.u...#ht_1563wt_1344
if you look at the second picture, does it not look like Ibanez have changed the footswitch to a hard-engaging one
if so, i'm gonna get a WH10 (i returned the first one i owned due to the terrible footswitch)
"its like turning your daydreams into sound...", Johnny Marr
Fender '57 MIM Reissue Strat (2 Colour Sunburst)
Epiphone Les Paul Standard (Vintage Sunburst)
Boss DS-2 Turbo Distortion
Dunlop Crybaby Wah
Electro Harmonix Small Clone
Marshall MG50DFX
Fender '57 MIM Reissue Strat (2 Colour Sunburst)
Epiphone Les Paul Standard (Vintage Sunburst)
Boss DS-2 Turbo Distortion
Dunlop Crybaby Wah
Electro Harmonix Small Clone
Marshall MG50DFX
#447
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Posted 08 October 2011 - 02:54 AM
Instead of getting the budwah, I got the wilson ten spot II
Essentially a clone of the original grey wh10. Haven't been this happy with a pedal I've bought since my wren and cuff tall font russian
It seems like butique pedals are so much better than what the bigger companies put out.
Essentially a clone of the original grey wh10. Haven't been this happy with a pedal I've bought since my wren and cuff tall font russian
It seems like butique pedals are so much better than what the bigger companies put out.
#448
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Posted 10 October 2011 - 07:31 AM
AzteC, on 08 October 2011 - 02:54 AM, said:
It seems like butique pedals are so much better than what the bigger companies put out.
The price for boutique pedals is cruel.
You get great pedals from BOSS, Ibanez, EHX, ...
If you want some exotic over-the-top pedals you have to spend three times as much money..
I think that's not necessary
"Tell your problems to zero. He's got nothing to hide." - John Frusciante
#449
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Posted 12 October 2011 - 04:56 AM
Chili_Pat, on 10 October 2011 - 07:31 AM, said:
AzteC, on 08 October 2011 - 02:54 AM, said:
It seems like butique pedals are so much better than what the bigger companies put out.
The price for boutique pedals is cruel.
You get great pedals from BOSS, Ibanez, EHX, ...
If you want some exotic over-the-top pedals you have to spend three times as much money..
I think that's not necessary
#450
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Posted 13 October 2011 - 10:03 PM
The original wh10 was made in Japan correct? is version 2 made in a different country?
#451
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Posted 14 October 2011 - 10:04 PM
Yeah, vintage WH10 is from Japan, V2 is from China
"Tell your problems to zero. He's got nothing to hide." - John Frusciante
#452
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Posted 16 October 2011 - 04:33 PM
Quote
well its all relative if you ask me. My first pedals were all brand name. When I got my first few boutique pedals, I was literally in awe at the better sound and build quality. All the old boss/mxr pedals were bomb, but the stuff they put up now doesn't really hold a candle to the older generation stompboxes
I think that the pedals from the 80's are the best. Personal opinion.
1962 Strat - Sunburst
1965 Jaguar - Fiesta Red
2005 Strat Amvintage 1962- Fiesta Red w/ matched headstock
2007 Jag Amvintage 1962- Ice Blue w/ matched headstock
2007 Strat Amvintage 1962- Sunburst
2007 Tele Amvintage 1962- Antique Burst
2008 Squier Strat- Sunburst
2008 Firebird Custom Shop, Black and Chrome w/ matched headstock
2010 MJT S-Style Clone - a clone of my 1962, made so I wouldn't have to worry about theft of my original.
1965 Jaguar - Fiesta Red
2005 Strat Amvintage 1962- Fiesta Red w/ matched headstock
2007 Jag Amvintage 1962- Ice Blue w/ matched headstock
2007 Strat Amvintage 1962- Sunburst
2007 Tele Amvintage 1962- Antique Burst
2008 Squier Strat- Sunburst
2008 Firebird Custom Shop, Black and Chrome w/ matched headstock
2010 MJT S-Style Clone - a clone of my 1962, made so I wouldn't have to worry about theft of my original.
#453
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Posted 21 October 2011 - 12:54 AM
bobthecow, on 16 October 2011 - 04:33 PM, said:
Quote
well its all relative if you ask me. My first pedals were all brand name. When I got my first few boutique pedals, I was literally in awe at the better sound and build quality. All the old boss/mxr pedals were bomb, but the stuff they put up now doesn't really hold a candle to the older generation stompboxes
I think that the pedals from the 80's are the best. Personal opinion.
I agree with you
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